The Heian period (794 - 1185): the golden age of classical Japanese culture

The Heian period, from 794 to 1185, is considered the golden age of classical Japanese culture. This period, marked by the political domination of the Fujiwara family and the development of a refined aesthetic at the imperial court, saw the emergence of a typically Japanese literature and art. During these four centuries, Japan enjoyed a long period of peace and stability, allowing art and culture to flourish. However, this period was also characterized by the gradual decline of imperial power in the face of the rise of the warrior class, which eventually took control of the country at the end of the period.

From the 9th century onwards, the Fujiwara family began to assert themselves as the true holders of power at the imperial court.

Thanks to a skilful matrimonial strategy, the Fujiwara succeeded in placing their daughters as emperor's wives and in obtaining the positions of regents (sesshō) for minor emperors and grand chancellors (kampaku) for adult emperors.

The height of Fujiwara power came in the early 11th century, under Fujiwara no Michinaga (966-1027), who achieved complete control of the imperial court.

However, from the second half of the 11th century, Fujiwara power began to decline, particularly in the face of the rise of the retired emperors (insei) who sought to regain control of the government.

Painting by Fujiwara Michinaga, by Kikuchi Yôsai

Wikipedia

The Heian period was marked by the development of a sophisticated aristocratic culture centered on the imperial court. Court nobles cultivated an elegant art of living, placing great importance on aesthetics in all aspects of their daily lives.

This culture manifested itself in palace architecture, such as the shinden-zukuri style, characterized by buildings linked by covered corridors and surrounded by carefully landscaped gardens. The decorative arts also flourished, with the development of techniques such as maki-e lacquer and yūzen fabrics.

Heian aristocrats attached great importance to etiquette and refined manners. Mastery of poetry, calligraphy and music was considered essential for any cultivated courtier.

The Imperial Palace, Kyoto-Gosho, secondary residence of the emperor.

The imperial palace, Kyoto-gosho, the emperor's secondary residence.

Luca Mascaro

The Heian period saw the emergence of a distinctly Japanese literature, gradually freeing itself from Chinese influence. The invention of the kana character made it possible to write in Japanese, and encouraged the development of new literary genres.

Waka poetry enjoyed a golden age, notably with the compilation of Kokin wakashū, the first imperial anthology of Japanese poetry. Prose also developed, with the appearance of monogatari (narratives) and nikki (diaries). Murasaki Shikibu's Genji Monogatari, considered the first novel in world literature, is emblematic of this period.

In the visual arts, we witness the emergence of the yamato-e style, a typically Japanese style of painting distinguished from Chinese influence. This style is characterized by freer compositions, bright colors and themes drawn from Japanese literature and daily life.

Print by Murasaki Shikibu

Wikipedia

These esoteric schools emphasized complex ritual practices and sophisticated philosophy. They quickly gained favor with the aristocracy and acquired great political and economic influence. Mount Hiei, headquarters of the Tendai school, became a major religious center and even developed a military force with its soldier-monks (sōhei).

At the same time, there was a growing syncretism between Buddhism and Shintoism, Japan's indigenous religion. This fusion gave rise to original forms of worship and had a profound influence on Japanese spirituality.

Le temple enryakuji, sur le Mont Hiei

Enryakuji temple on Mount Hiei

Yu-Jen shih flickr

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