Wo bekommt man die Werke von Kengo Kuma zu sehen? 隈研吾
Der Architekt, der Tradition und Moderne miteinander verbindet
EntdeckenSie die Bauwerke eines der hervorragendsten zeitgenössischenArchitekten Japans: Kengo Kuma.
Auch,wenn sein Stil sich längst in Paris, Shanghai und Dallasdurchgesetzt hat, so entfaltete er sich zunächst in japanischenStädten und auch auf dem Lande, indem er die traditionelleArchitektur Japans dem Geschmack des 21. Jahrhunderts anverwandelte.
1954in Yokohama geboren, erhielt Kengo Kuma sein Diplom für Architekturan der Universität von Tokyo.
Nachdemer 1985 zu einem Forschungsaufenthalt an die Universität vonColumbia eingeladen worden war, gründete er bald das ArchitekturbüroKengo Kuma und Partner.
Erist heute Professor an der Universität Tokyo und erhält zahlreicheAufträge aus Japan und der ganzen Welt.
InFrankreich ist er durch die «Citédes Arts de Besançon»(Kunststadt von Besançon) oder auch durch die zukünftigeMetrostation Saint-Denis Pleyel im Norden von Paris bekannt geworden.
KengoKuma hat eine Philosophie: Die natürliche Umgebung sollterespektiert, nicht dominiert werden! Diesem Gedanken wird erinsbesondere gerecht, indem er die Höhe der Gebäude begrenzt und amOrt verfügbare Ressourcen nutzt. Er setzt all seinen Ehrgeiz in dieNeuinterpretierung traditioneller japanischer Architektur.
Woalso kann man Kengo Kumas Bauten in Japan besichtigen? Hier finden Sie eine bei weitem nicht abschließende Auswahl:
Yusuhara Wooden Bridge Museum (Präfektur Kôchi)
DieseHolzbrücke verbindet zwei öffentliche Gebäude der Stadt Yusuhara,die zuvor durch eine Straße getrennt gewesen waren. Die Brücke,welche die Linien eines Tales auf der Insel Shikoku nachzeichnet, istnicht nur eine Verbindungsstraße, sondern beherbergt auch Wohnungenund Künstlerateliers. Die Spagatkonstruktion ist typisch für dietraditionelle japanische und chinesische Architektur.
Water Glass (Atami, Präfektur Shizuoka)
Wenndas kein Meeresblick ist! Ein wunderbares Beispiel für ein Bauwerk,das mit seiner Umgebung verschmilzt. Wo endet der Glasbau und wobeginnt der Ozean? Es scheint, ein Stück Pazifik hätte sich in Formdieser Villa kristallisiert, deren Speisezimmer einer gläsernenInsel gleicht.
KengoKuma hat sich hierfür von Katsuras kaiserlicher Villa nahe Kyotoinspirieren lassen.
Iiyama Cultural Hall Nachura (Präfektur Nagano)
Alser diese Holzüberdachung für das Gemeindezentrum der Stadt Iiyamakonzipierte, hat Kengo Kuma aus der Weisheit japanischer Urvölkergeschöpft, die in schneereichen Gegenden siedelten.
DerBaldachin wird von einer Holz-Eisen-Konstruktion getragen, währenddie Verwendung traditionellen handgeschöpften japanischen Papiers(washi),dem Ganzen eine für solche Bauwerke äußerst ungewöhnlicheIntimität verleiht. Alle Materialienwurden vor Ort hergestellt.
DieFassaden, überall eckig, sind aus Lärchenholz gefertigt. Das Ganzebildet einen Hügel unter vielen anderen im Bergland von Nagano.
Plastic House (Tokyo)
Zutrittverboten, denn es handelt sich um ein Privathaus, das einerSchriftstellerin und ihres Sohnes, eines Fotografen. Das hierverwendete Material, Plastik, scheint zunächst konventioneller. Dashat jedoch seinen Grund in Eigenschaften, die es mit Bambus undReispapier gemeinsam hat, zwei Rohstoffen, die von jeher in dertraditionellen japanischen Architektur verwendet wurden.
DerRaum, nicht sehr weitläufig, wirkt offen, wie das Terrassendach oderdas Erdgeschoss, das in ein Teezimmer unter freiem Himmel übergeht.
Das Olympiastadion von Tokyo
Siewerden sich noch ein wenig gedulden müssen, um dieses Stadion zubesichtigen: Das Hauptaustragungsgelände der Olympischen Spiele2020. Mit einer Kapazität von 60.000 Plätzen wird esinsbesondere der Ort der Eröffnungs- und Abschlusszeremonie sein.
EineBesonderheit: begrünte Balkons werden die Tribünen umschließen wieein Spiegelbild der natürlichen Umgebung. Immer wieder sichtbardieses Bemühen, das Bauwerk in die Umgebung einzubetten. DiesesProjekt entsprach gleichzeitig am besten dem Kosten- und Zeitrahmen,der von der japanischen Regierung gesetzt wurde.
DasStadion soll im November 2019 fertiggestellt sein. Die Eröffnung derOlympischen Spiele wird am 24. Juli 2020 stattfinden. Die geschätztenKosten belaufen sich auf 149 Milliarden Yen (1,3 Milliarden Euro).Augenzwinkernd verweist dieses Projekt auf den Lebensweg Kengo Kumas,der als Kind insbesondere durch den Bau des Yoyogi Stadionsanlässlich der Olympischen Spiele 1964 dazu angeregt wurde,Architekt zu werden…
Außerdem : das Nezu Museum (Tokyo)
Kuma, born in Yokohama in 1954, studied architecture at the University of Tokyo, where he was influenced by Japanese minimalist style and the creations of modernist architects. He founded Kengo Kuma & Associates in 1990 after completing his studies at Columbia University in New York. His company immediately became well-known for building buildings that blend in with their natural settings, using regional resources and traditional workmanship to create a feeling of place. Kuma is a prominent name in contemporary architecture because of his commitment to ecologically friendly design.
Kuma has accomplished many noteworthy projects around the world over his career, including the Japan National Stadium, which was constructed for the Tokyo 2020 Olympics and demonstrates his dedication to sustainability by using a lot of wood and environmentally friendly materials.
The Suntory Museum of Art and the Nezu Museum in Tokyo, which is notable for its harmonious fusion of architecture and nature, are two more noteworthy pieces. Kuma's impact may also be seen in global initiatives like the Odunpazarı Modern Museum in Turkey and the V&A Dundee in Scotland. Kuma's publications and academic positions continue to promote sustainable, human-centered design, motivating upcoming generations of architects with his belief in building architecture that honors both people and the environment.
Yusuhara, the village designed by Kengo Kuma
The village has gained attention as a showcase of Kengo Kuma's architectural works, where his signature style of blending modern design with natural materials is prominently displayed. Kuma has designed several key structures in Yusuhara, including the Yusuhara Town Hall, the Yusuhara Wooden Bridge Museum, and the Kumonoue Hotel. These buildings are characterized by their extensive use of locally sourced cedar wood, reflecting Kuma's philosophy of creating architecture that harmonizes with its environment. The wooden lattice facades and open, airy interiors seamlessly connect the structures with the surrounding landscape, enhancing the village’s charm while promoting sustainable design. Yusuhara has become a destination for architecture enthusiasts and travelers seeking to experience Kuma’s innovative yet traditional designs in a serene, rural setting.
Notable Kengo Kuma architectural works to see in Japan
- The Tokyo National Stadium (Tokyo)
The Tokyo National Stadium is an outstanding example of environmentally friendly and culturally relevant architecture. Kuma used natural materials like cedar and larch wood that were collected from all over Japan to create a warm, organic feel while incorporating traditional Japanese architectural principles. The stadium's multi-layered, pagoda-style design blends in perfectly with the surroundings, especially Meiji Jingu Gaien's verdant surroundings. The design emphasizes environmental awareness by including open-air corridors for natural ventilation, which lowers energy use. Japan's innovative architecture and reverence for the environment are exemplified by the Tokyo National Stadium, which combines modernism with tradition.
The Nezu Museum (Tokyo)
Following Kuma's remodeling, the Nezu Museum in Minami Aoyama, Tokyo, reopened in 2009 with a sleek, minimalistic appearance that blends well with its enormous collection of East Asian and Japanese artwork. The sloping rooflines and bamboo-lined entry echo the simplicity of traditional Japanese design, while the use of natural materials like stone, wood, and glass provides a calm ambiance.
Starbucks Reserve Roastery (Tokyo)
The largest and most premier Starbucks location in Japan is located in the Naka Meguro neighborhood of Tokyo. The interior is notable for its elegant lighting and wooden fixtures that are inspired by coffee and its origin countries. The multi-storied complex features exclusive drinks and food with counter and table seating. Be sure to stop in for a unique Starbucks experience surrounded by Kuma's signature design.
- Kadokawa Culture Museum (Tokyo)
Within the Tokorozawa Sakura Town cultural complex, several buildings have been designed by Kengo Kuma. These include the Kadokawa Culture Museum, a four-storey granite building, a “living Torii” and the Musashino Reiwa Shrine.
- Iiyama Nachura Cultural Hall (Nagano Prefecture)
Kuma has tapped into the wisdom of the ancient Japanese people who used to the snow to create a large wooden canopy roof that serves the municipal center of the city of Iiyama. The canopy is supported by a structure combining wood and steel, while the use of Japanese handmade paper (washi) helps create an intimate atmosphere, unusual for this type of establishment. The materials were produced locally, and the facades have all been made with Japanese larch wood.
- Toyama Kirari (Toyama Prefecture)
Located centrally within Toyama Prefecture, this distinct structure serves as both Toyama City's public library and the Toyama Glass Art Museum, where gorgeous and unique hand-blown glass works are on display. With both a permanent collection and a venerable roster of rotating exhibitions throughout the year, the museum is said to be the crown jewel of Toyama's art scene.
Hotels designed by Kengo Kuma
Lending his talents to a number of different structures in Japan, there are a number of hotels that feature Kuma's design that can be booked! Doing so gives you a chance to fully immerse yourself in and appreciate Kuma's world-class architectural designs. Here is a list of a few hotels designed by or featuring designs by Kengo Kuma that are sure to make your next trip out to Japan stand out, even during your time relaxing at your accommodation!
- The Tokyo Edition (Toranomon/Ginza)
At the forefront of Tokyo's new generation of luxury hotels, the Tokyo Edition in Toranomon stands high among the luxurious buildings of the area. The main lobby, located on the 31st floor of the building, features meticulously sophisticated lighting against the backdrop of rich greenery and latticing wooden accents. The same wooden details can be found within the rooms as well. At the center of the lobby, the appropriately named "Lobby Bar" features glass panel work and luxurious cocktails. Large windows look out to the Tokyo skyline, with the nearby Tokyo Tower being a major presence, especially when illuminated at night.
The newly opened Ginza location was also designed by Kuma and features woodwork with larger panels along with tasteful accents of color. Much like other Kuma-designed spaces, clever lighting placements are meant to accentuate the space without being too blaring.
- Banyan Tree Higashiyama (Kyoto)
Kuma's philosophy of design coexisting with nature is reflected in the structure's seamless integration with its natural surroundings, which are situated atop the tranquil Higashiyama hills. The hotel's contemporary take on a traditional Noh theater stage, made of wood and tucked away in the grounds, is one of its most notable features. In addition to honoring traditional Japanese performing arts, its design improves the property's serene atmosphere while also accentuating Kyoto's long cultural history.
- Hotel Royal Classic (Osaka)
The hotel's lower exterior honors its predecessor by emulating the characteristic "karahafu" gabled rooftop, which was originally the location of the architect Togo Murano's masterwork, the 1958 Osaka Shin-Kabukiza Theater. The upper stories seamlessly carry over this classic curvature, where dynamic metal fins create a contemporary and elaborate design that embodies Kuma's philosophy of balancing modern and historic architectural styles.
- Kai Resort (Beppu)
The resort creates a welcoming ambiance for visitors with its arcade area and cobblestone lane, which are reminiscent of bustling hot spring towns. Local culture is incorporated into each of the 70 guest rooms, especially through the utilization of Bungo artwork and tie-dyeing techniques. Kuma highlights the value of the onsen town experience, saying that while taking a bath is great, exploring the town both before and after is equally important to the resort experience.